![]() And although there will be inevitable comparisons to fellow Beantown brawlers The Dropkick Murphys, the old-school Irish pub vibe gets high marks on the lo-fi Up Down 95. By turns bold and beautiful, the album’s 12 tracks are a nod to the vital role that the instrument still plays in the Celtic musical canon.Īny band whose bio begins with the words “formed in a dorm room at Boston College” is kind of a must-listen, right? Sure enough, Massachusetts 11-piece Celt-Punk-Rock collective Sláinte comes exactly as advertised. Awash in a musical melange of hops, jigs, reels, airs, and even polkas, the Halifax native leaves no sonic stone unturned in her efforts to bring the instrument up-to-speed with moving and memorable melodies that are certain to stroke listener’s souls. As such, The Bend in the Light – the recently released recording from Nova Scotia’s Ellen Gibling – is an illumination of sorts. Thankfully, there is still strong support for those that write, record, and release albums featuring the famed, multi-stringed mechanism. The harp might be the most underrated and least understood instrument in the Celtic music arsenal. Fans of John Prine and Christy Moore will be touched by the tough and tender, street-smart sonic style that sounds as sure through air pods as upon a small stage in an old pub. The proof is in the proverbial pudding, as the songsmith has crafted 11 new timeless and thought-provoking tunes with lyrical leanings towards history and philosophy. A darling of indie music critics for over three decades, Furlong’s mastery on the guitar is matched by his masterful melodies, reminding listeners that there is art in artisanry. Such is the case with Ataraxia, the latest full-length effort from seasoned Irish singer/songwriter Ronan Furlong. While it may be true that you can’t teach an old dog new tricks, some find a fresh leash on life. The result is a diverse listening experience that bridges the gap between classic and contemporary Celtic music, and one that will excite both older fans and those new to the genre. And while they aren’t afraid to branch out with moments of modern country, pop, and even reggae, make no mistake Tir N’aill, Baobhan Sith, Òran Na Gaillinn, and several other songs showcase the group’s commitment to preserving the sounds of yore. Firmly rooted in old-school trad, the sonic sextet weaves and winds their way through 13 terrific tracks with a twinge of southern twang – both a testament and a tribute to the band’s terroir. Hailing from Columbia, South Carolina (Go Gamecocks!), veteran Celt-rockers Syr bring past to present with their latest album, Sentinel. What’s hot – and what’s not – in today’s Celtic music scene! ![]()
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